{"id":2073,"date":"2017-01-13T18:09:49","date_gmt":"2017-01-13T18:09:49","guid":{"rendered":"https:\/\/sayaspora.com\/?p=2073"},"modified":"2025-05-14T10:32:27","modified_gmt":"2025-05-14T14:32:27","slug":"10-african-women-creatives-reshaping-africas-media-narrative","status":"publish","type":"post","link":"https:\/\/sayaspora.com\/en\/10-african-women-creatives-reshaping-africas-media-narrative\/","title":{"rendered":"9 African women creatives reshaping Africa&#8217;s media narrative"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">From damaging and overly pessimist portrayals to questionable Africa rising narratives, the 21st century has been home to pivotal and shifting train of thoughts shaping how we viewed and talked about the continent and its contemporary diaspora.\u00a0<\/span><span class=\"s1\">But where do we capture honest conversations about the lives of those whose stories have been too often told\u00a0by everyone except them?\u00a0<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">It must be said and remembered however, that despite historical misrepresentations of our multiple African stories, we, Africans have had and keep having agency in telling our own stories.\u00a0<\/span><span class=\"s1\">To depict us as voiceless and at the mercy of western representations, is to deny the agents of change that we are and have always been.<\/span><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Here is our current 9 favorite African women creatives reshaping Africa&#8217;s media narrative!<\/span><\/p>\n<h2><\/h2>\n<h2>AMY SALL<\/h2>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.4866595518% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BJDrIjhgKwp\/\" target=\"_blank\" rel=\"noopener\">A photo posted by @amy_sall<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-08-13T17:33:25+00:00\">Aug 13, 2016 at 10:33am PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Senegalese-American based in New York, Amy Sall is a Columbia University Human Rights Studies graduate and a Culture and Media Studies lecturer at\u00a0<\/span><span class=\"s2\">The New School University&#8217;s Eugene Lang College. She is also founder and editor of\u00a0<a href=\"http:\/\/sunujournal.com\" target=\"_blank\" rel=\"noopener\">SUNU: Journal of African Affairs, Critical Thought + Aesthetics<\/a>, an online platform and print journal that amplifies the youth voice on matters concerning Africa and the diaspora. Her instagram feed and <a href=\"https:\/\/www.instagram.com\/sunujournal\/?hl=en\" target=\"_blank\" rel=\"noopener\">Sunu<\/a>&#8216;s are filled with beautiful archival notes of post-colonial, modern Africa and the diaspora that interrogate how visual culture has shaped and currently shapes discourses surrounding the socioeconomic, political and cultural.<\/span><\/p>\n<h2><\/h2>\n<h2 style=\"text-align: left;\">OROMA ELEWA<\/h2>\n<\/div>\n<div align=\"center\"><\/div>\n<p><span class=\"s1\"><img decoding=\"async\" class=\"size-full wp-image-104561 aligncenter\" src=\"https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/1.jpg\" alt=\"OROMA ELEWA\" width=\"540\" height=\"432\" srcset=\"https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/1-200x160.jpg 200w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/1-300x240.jpg 300w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/1-400x320.jpg 400w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/1.jpg 540w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Oroma Elewa is a Nigerian visual artist, creative director and business woman based in New York. She is founder of one-time magazine Pop&#8217;Africana. The former was born out of the desire to create greater representation for Africans in the global fashion industry. Her work explores how African visual culture and aesthetics have shaped and continue to shape global fashion tendencies and showcases transnational African perspectives, stories, aesthetics and style.<\/span><\/p>\n<blockquote>\n<p class=\"p1\" style=\"text-align: left;\">&#8220;My work is inspired by a vision I have for Africa and Africans. A vision of an Africa that shelters and respects individualism and for Africans, that the world&#8217;s opinion of us is <em>redirected<\/em>.&#8221;<\/p>\n<\/blockquote>\n<h2><\/h2>\n<h2>MAMY TALL<\/h2>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0462962963% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BOAqX_5DERV\/\" target=\"_blank\" rel=\"noopener\">A photo posted by Mamy Tall (@mamytall)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-12-14T20:06:02+00:00\">Dec 14, 2016 at 12:06pm PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<\/div>\n<p class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Mamy Tall, of Senegalese origin is an Architecture student at Universit\u00e9 de Montr\u00e9al and can be found between Dakar and Montreal. Photographer and creative entrepreneur, she is co-founder of the start-up <a href=\"https:\/\/www.instagram.com\/dakarlives\/?hl=en\" target=\"_blank\" rel=\"noopener\">Dakar Lives<\/a> which is a digital media platform reshaping visual perceptions of Senegal. The platform has gained a huge following, thanks to their catalogue of vibrant pictures of Senegal&#8217;s landscapes, gastronomy and gorgeous streets!<\/span><\/p>\n<h2><\/h2>\n<h2>MALIKKA BOUAISSIA<\/h2>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 51.284490961% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BPIOg0MlWPE\/\" target=\"_blank\" rel=\"noopener\">A photo posted by @malikka<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-01-11T15:07:54+00:00\">Jan 11, 2017 at 7:07am PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Malikka Bouaissa, Moroccan and based in Belgium is the founder and editor of <a href=\"http:\/\/www.alartemag.be\/en\/\" target=\"_blank\" rel=\"noopener\">A.larte magazine<\/a>, an online magazine showcasing contemporary art and creatives hailing from North Africa, the Middle East and beyond. The magazine redefines what it means to be Northern African and deconstructs orientalist narratives of the MENA region.<\/p>\n<h2><\/h2>\n<h2 style=\"text-align: left;\">JABU NADIA NEWMAN<\/h2>\n<p>&nbsp;<\/p>\n<\/div>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 62.4537037037037% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BHzCj9IgaG4\/\" target=\"_blank\" rel=\"noopener\">A photo posted by Jabu Nadia Newman (@intellectualangel)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-07-13T09:59:39+00:00\">Jul 13, 2016 at 2:59am PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<\/div>\n<p class=\"p1\" style=\"text-align: left;\">This 22 year old South African photographer and videographer is one to look out for in 2017! Jabu Nadia is the creator, writer and director of \u00a0The Foxy Five, a *bad ass*, young, south african, black and female web series that explores intersectional feminism. The series unapologetically\u00a0explores \u00a0African feminism, in the specific context of South-Africa providing a much needed African take on intersectional feminism, whom cast members describes as predominantly African-american. YAS PLEASE!<\/p>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 33.33333333333333% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BKqPsgijxeX\/\" target=\"_blank\" rel=\"noopener\">A photo posted by The Foxy Five (@thefoxyfivetv)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-09-22T13:35:26+00:00\">Sep 22, 2016 at 6:35am PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<\/div>\n<h2><\/h2>\n<h2>SARAH DIOUF<\/h2>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BMogTSjDbKE\/\" target=\"_blank\" rel=\"noopener\">Souvenir from #Morocco \u2728<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">A photo posted by Sarah Diouf (@dioufsarah) on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-11-10T14:24:51+00:00\">Nov 10, 2016 at 6:24am PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Sarah Diouf, with her multiple origins: Senegalese, Central African and Congolese, is a photographer, business woman, stylist, editor and creative director. She is the founder and editor in chief of<a href=\"http:\/\/ghubar.com\/current\/\" target=\"_blank\" rel=\"noopener\"> Ghubar<\/a>, a digital magazine promoting the emerging and marginalized creative scene. She is also the founder of <a href=\"http:\/\/lemagazinenoir.com\/\" target=\"_blank\" rel=\"noopener\">NOIR magazine<\/a>, a digital African\u00a0magazine \u00a0dedicated to Noir women. Ghubar&#8217;s current issue explores themes such as &#8220;The new pillars of the digital era&#8221; and challenges international preconceptions of women&#8217;s roles within Islam. Noteworthy: their editorials are <em>thebomb.com<\/em><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_104562\" style=\"width: 688px\" class=\"wp-caption alignnone\"><img decoding=\"async\" aria-describedby=\"caption-attachment-104562\" class=\"wp-image-104562 size-full\" src=\"https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf.jpg\" alt=\"Sarah Diouf\" width=\"678\" height=\"413\" srcset=\"https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf-200x122.jpg 200w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf-300x183.jpg 300w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf-400x244.jpg 400w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf-600x365.jpg 600w, https:\/\/sayaspora.com\/wp-content\/uploads\/2017\/01\/sarah-diouf.jpg 678w\" sizes=\"(max-width: 678px) 100vw, 678px\" \/><p id=\"caption-attachment-104562\" class=\"wp-caption-text\">&#8220;The new pillars of the digital era&#8221;, words by Sarah Diouf | &#8220;Berber&#8221;, an editorial inspired by the eponym native ethnic group of North Africa<\/p><\/div>\n<\/div>\n<h2><\/h2>\n<h2>DIANE AUDREY NGAKO<\/h2>\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 59.9375% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BM_xUhhjnWi\/\" target=\"_blank\" rel=\"noopener\">A photo posted by Diane Audrey Ngako ?? (@voodart)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-11-19T15:16:06+00:00\">Nov 19, 2016 at 7:16am PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<\/div>\n<p class=\"p1\" style=\"text-align: left;\">Diane Audrey Ngako is a 25 year old creative entrepreneur, photographer and journalist from Cameroon. In June 2014, she founded Visiter l&#8217;Afrique, a digital platform that primarily showcases African tourism and cultures. This platform revolutionized Africa&#8217;s media narrative by being one of the first to depict Africa for what it was, far from stereotypes but \u00a0also without denying its current challenges. It also shifted perceptions of African tourism, often limited to safaris, resorts and famous locations such as South Africa and Kenya. From busy streets, far away villages, breathtaking beaches, to yummy street food, Visiter l&#8217;Afrique provides is a vibrant visual catalogue from photographers\u00a0across the globe. From Gambia, Namibia to Burundi, Visiter l&#8217;Afrique boldly affirms that all African countries are worth visiting.<\/p>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BO72IzYA9kS\/\" target=\"_blank\" rel=\"noopener\">A photo posted by Visiter L&#8217;Afrique (@visiterlafrique)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-01-06T19:44:01+00:00\">Jan 6, 2017 at 11:44am PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h2><\/h2>\n<h2 style=\"text-align: left;\">YAGAZIE EMEZI<\/h2>\n<p>&nbsp;<\/p>\n<\/div>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BNAjqZFAWRX\/\" target=\"_blank\" rel=\"noopener\">A photo posted by @yagazieemezi<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-11-19T22:35:59+00:00\">Nov 19, 2016 at 2:35pm PST<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><span class=\"s1\">Yagazie Emezi is a Nigerian\/Malaysian documentary photographer. With her work, she hopes to preserve African aesthetics through documentary photography. Her most recent work, <em>Relearning Bodies<\/em> documents how trauma survivors and scars bearers navigate their new bodies. Emezi&#8217;s work is important in how by preserving African aesthetics, she sidelines distorted portrayals of Africa. \u00a0Noteworthy: her work is <em>breathtaking<\/em>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div align=\"center\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BLbuD94Amje\/\" target=\"_blank\" rel=\"noopener\">A photo posted by @yagazieemezi<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-10-11T18:43:34+00:00\">Oct 11, 2016 at 11:43am PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<\/div>\n<p style=\"text-align: left;\">Majoring in Molecular Cell Biology and African Studies at McGill University,\u00a0<a href=\"https:\/\/www.instagram.com\/a.iradukunda\/\">Aurore<\/a> was born in the land of a thousand hills : Rwanda. For her, SAYASPORA means allowing space for voices too often unheard. It\u00a0means recognizing the power of womanhood and seeing it manifests into greatness.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From damaging and overly pessimist portrayals to questionable Africa rising [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":104557,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[238],"tags":[241],"couleur":[],"etiquette-darchives":[],"type-de-ressource":[],"class_list":["post-2073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine-en","tag-art-and-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>9 African women creatives reshaping Africa&#039;s media narrative - Sayaspora<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sayaspora.com\/en\/10-african-women-creatives-reshaping-africas-media-narrative\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"9 African women creatives reshaping Africa&#039;s media narrative - 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